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“Carpenter’s ★★★★ film might be the most searing, most powerful, most personal and most unforgettable take on this most American of tragedies… The end result is a brilliant and brave and beautifully honest film.”
Richard Roeper, Chicago Sun Times

“DEEPLY MOVING”
The Hollywood Reporter

“COMPELLING”
James Warren, Vanity Fair

“THIS IS BEAUTIFUL INSANITY.”
David Birkett, Detroit Free Press

“A FILM FOR THE AGES.”
Louis Proyect, Louis Proyect: The Unrepentant Marxist

“SENSATIONAL… POIGNANT, INFORMATIVE, BEAUTIFUL-LOOKING. SWEET AND (APPROPRIATELY) BRUTAL.”
Jon Wertheim, Executive Editor, Sports Illustrated

“EVERYBODY IN AMERICA NEEDS TO SEE THIS FILM.”
Mike Ditka, President of Gridiron Greats, NFL Hall of Fame

A confounding father. An ever-curious daughter. A myth-shattering search for truth. And a heart-breaking discovery that challenges everything she thought she knew about him and the sport that defined her family.  

In this searingly beautiful father/daughter film, documentarian Rebecca Carpenter investigates the origins of the insidious chasm which grew between her and her father Lew, a World Champion Green Bay Packer and NFL coach, who passed away with a mysterious disease in 2010. 

Executive Produced by Chris Borland and Cody Gifford—son of legendary New York Giant and Monday Night Football anchor, Frank Gifford, himself a victim of chronic traumatic encephalopathy— and Produced by Sara Dee, the film has garnered a near-perfect rating from Rotten Tomatoes.

 

about rebecca

 
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Requiem for a Running Back is Rebecca Carpenter’s first feature and fourth film as director. In addition to being awarded a Golden Telly and a Golden Remy, her work across media as both producer and director has been critically acclaimed nationally and internationally in theatrical, festival, and special event screenings. Executive Producer Max Mayer notes that “Rebecca’s body of work reveals her big brain and her even bigger heart. Her need to understand the complicated nature of the individual within a community shows up in really intriguing ways. She captures moments of ordinary heroism and discord in Susan Rows and Detached; the ways in which community beliefs can be self-limiting in Free Angela and (re)birth; and the mechanics of emotions in conflict in the painting series Energy. Her delight in discovery is palpably captured throughout her work. Requiem is no exception - the work of a mature storyteller who turns the camera on herself and her relationship with her father, bravely documenting their difficulty connecting with all its messiness and ferocity.”